Len­ten veil in the basi­li­ca

During Lent, a new Len­ten veil shrouds the high altar. It was desi­gned and gifted to Rein Abbey by the theo­lo­gi­an, reli­gious edu­ca­ti­on tea­cher, and for­mer priest and monk Rapha­el Berg­mann.

The artist depicts the cen­tral sce­ne of the Chris­ti­an Pas­si­on: Against a vio­let back­ground, Jesus is laid in the lap of his mother Mary after the Depo­si­ti­on from the Cross. The figu­res appear shadowy, with the bright figu­re of Jesus stan­ding out par­ti­cu­lar­ly. Mary is depic­ted in a blue cloak; red color accents sym­bo­li­cal­ly allude to her suf­fe­ring heart. On the ground kne­els the grie­ving Mary Mag­da­le­ne, ren­de­red in gold-och­re hues.

The work is based on the pain­ting “Depo­si­ti­on and Lamen­ta­ti­on of Christ” (1785) by the Baro­que pain­ter Krem­ser Schmidt. This deli­be­ra­te sty­li­stic refe­rence con­nects to the tra­di­ti­on of the Rein High Altar, who­se pain­ting “Ado­ra­ti­on of the She­p­herds” also ori­gi­na­tes from this work­shop.

In terms of con­tent, the Len­ten veil estab­lishes a con­nec­tion to the altar­pie­ce: It shows Jesus at the end of his earth­ly life in his mother’s lap – in con­trast to his depic­tion as a child at the begin­ning of his life.

Scroll to Top